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Japan 1999

And 'nuclear power plant in April 1999 that Tokaimura, Japan, to avert the nuclear inferno. Let's see the stages of the incident:

· The morning of Thursday, the authorities show that, due to a leak of uranium, has triggered an uncontrolled fission in the reactor core.

· At 10:30 the alarm goes off, some workers were contaminated with very serious.

· At 12:41 the police create a "cordon" around the middle, you understand that the incident is becoming more serious than expected.

· At 15:18 some families living in Near the center is evacuated.

· At 21:00 held an emergency meeting and the government understands the seriousness of this point, more than 300000 people invited to stay at home.

· At 00:00 the radioactivity levels in and around the plant reaches between 10 and 20 000 times higher than normal.

· At 2:30 the next day the plant operates 18 technical mission to accept a true "suicide bombers", are allowed in to stop the chain reaction, well aware that, after the mission, would no longer be the themselves.

· At 6:00 authorities argue that the radioactivity has fallen to zero.

After it is established that it was human error, the technicians were able to carry inside the building where the uranium is used as fuel in nuclear power station, two barrels of uranium-nitric acid mixture (which were mixed by hand, with a rudimentary funnel, 30 kg each: these are unwittingly fallen earth and, being mixed, have triggered the reaction. engineers who stopped the reaction at the hospital are in critical condition.

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The light moments

devote the light-weight first conference opposition, and argue the reasons for the lightness. This does not mean I consider the reasons for weight less valid, but only on the lightness that I think he had more to say. Forty years later I write fiction, after exploring various roads and made several experiments, the time has come that I look for an overall definition for my work, I propose this: my operation was in most cases a subtraction of weight , I tried to remove weight now to human figures, now to the heavenly bodies, now the city above all, I tried to remove weight to the structure of the narrative and language.

Italo Calvino, THE LIGHT

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If I could live my life again.
In the next I would try to make more mistakes.
Do not try to be so perfect, I relax more.
I would be sillier than it already is, in fact
would take few things seriously.
I would be less hygienic.

run more risks,
take more vacations, contemplate more sunsets
,
climb more mountains, swim more rivers
. Andrei

in most places where I've never been,
eat more ice cream and fewer beans, I
more real problems and less imaginary problems.

I was one of those who lived every minute of their lives
sensible and profitable;
course I took some time to joy.

But if I could go back, I would
to have only good moments.
Because if you do not know, this is life made
of times, not lose now.

I was one of those
never went anywhere without a thermometer, a hot water bottle
,
an umbrella and a parachute;
if I could live again, I would live lighter.

If I could live again
begin to walk barefoot at the beginning of spring

and remain barefoot until autumn ends. I would take more

carriage rides,
contemplate more dawns, and
play with more children, if I were
new life ahead.

But you see, I
85 years and I know that I'm dying.

poems by Jorge Luis Borges: Moments

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2000 Interview with Valentino Campo (released to the common good)

1. starting with the title "The art of digging wells," the title that has its own unique charm. Would you explain?

The title was inspired by a lost work of Democritus; time ago reading a book on the history of Gnosticism I found that Democritus wrote a manual on technical and practical where he taught, in fact, the art of digging wells. I do not know how and in what way underground, this title has remained in my mind, as if to settle, to resurface when reading a passage from Genesis, I came across the story of Isaac, who teaches at the neighboring tribes such as digging wells. The theme of the search for water through wells in the literature is the patriarchal symbol of man's spiritual search . Certainly the title is evocative, that I have refers to the idea of \u200b\u200bliterature. I think that it should dig those wells that then a little 'time to be filled by the water of the words. I believe that the function of poetry is now more evident that, to tell the man and his relationship with the world, as Carlo Bo writes in his essay fundamental and essential, must be combined with life is - to the words of Fabio Luigi Mastropietro - the exercise of hope through language, even when preliminary despair and horror. must enact to prevent the horror. In this sense, and only in this sense, poetry is always political. Because the poet simply does not exist without the polis. Certain minimal-chic modernist poetry so popular in recent years has reduced the word to an empty ornament, often a game of charades and Calambour, and self-sterile. The word has lost its sacredness of logos the peculiarity that the forces to always be herself even when it is something else, which makes the host and unleavened bread when it feeds the other and when the other it feeds on. This is especially true today, in a period of great confusion, where many write and publish, but few people read, with the exception of that which is imposed by the circuit television and paratelevisivi. It so happens that in an uproar so amplified literature, poetry in particular, has lost the tone of voice is always more difficult pick up the threads. Just listen to Sergio Zavoli, decent man and poet decorated , said today that poetry has the task of restoring the lost hope for young people, in perfect line with the dull gargle culture of so many assessors, scattered everywhere, who argue that poetry should aim at simplicity, beauty and harmony. Digging wells, instead, the poem returns to the mud and water, the grace and uncleanness.

2. Professor Lingfield speaks of "stylistic solipsism, a kind of loneliness style (where each has in place what can be: a "private research style" as a feature of the generation of ten years "what has nourished this private research your style?

Poetry can be a voice and string, ear and silence. Figures and things stolen. Would rather private searches. Books that over the years have been stratified, and bone beds, voices with whom I talked, I try to constantly babbling to encrypt the abyss, the simplicity of saying the ineffable. The medieval mystics, the patristic, Ficino, Pico, and then Cusano Govoni, Gozzano, Saba, Testori, Luzi. The list is long but maybe the error is just what groped a list. The voices of some end up in overflow of the other so as to get a voice. Of course the debt Luzi is important not only for what concerns his search for a man but also from the point of view of style, such as the slip of my verse is talking about George Lingfield critical anthology "The new Italian modernist poetry "is a legacy Luziano.

3. The "Fourth Samnite War, the war that has never been fought is also the exile from history and leads us to reflect on another exile, to those who, while inside the world, lives in exile in a conscious and painful marginalized.

The fourth Samnite War is a work in progress. It can be considered a more conscious and lucid attempt to deal with the issue of Carmina Matris, poem published in the issue of zero AltroVerso. I was inspired by the story of the Japanese soldier was found that after nearly forty years in the jungles of a Pacific island and believed to be still war against the Americans. The transposition is present throughout the Molise, I suppose so like that Japanese soldier who lives here in California, for various reasons, one of his personal exile, surrounded by the shadows of the Romans.

The soldier who is Sunni, for example coming from the forest after a year spent in the meantime, he discovers that his city has lost thirty-one positions in the annual ranking conducted by Legambiente, and wonders why his old town has been reopened to traffic and parking while back elsewhere is considered a limited traffic zone. The soldier found the old Sunni sides to pull again, those first four years, which now call themselves alternative. He sees the sights, peering suspiciously the shapes of the poles in the wind on the ridges. And shells his litany: The Biferno is not a river and the Romans are well aware of the ... have pulled the plug removed the respirator say that within a year, the enemy will be cared for, the war does not exist for those who ignore us when we die .

As in Angelica, a poem in which the voice back to five year old girl killed by the Sacra Corona Unita because his mother had become the wife of the boss, in an attempt to describe the evil, ' unspeakable evil, in the fourth Samnite War the item back to those who live with glossy exclusion is impossible to communicate in a provincial alienated and alienating reality which is sometimes enough to pen a self-proclaimed journalists and writers and directors considered to be a camera. Everything else is the art of denial, a continuous start over without ever set in the land of the piers. Salt and clay, clay and salt.

I think this distrust, this culture of suspicion that often incarognire even the most lucid minds and open to both the anthropological limits of this land.

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Pennywise February 3, 2011 Good

Some people go to concerts because it's beautiful
Who goes there because it has received a ticket as a gift
Who
to accompany someone who out of curiosity and for those who true love
Some people go to push, to sweat to destroy
Who to listen to good music and who may not hear anything
Some people go to concerts for
To Breathe lose control
to realize a dream
And then there
those who go to concerts to hear the life flow into
About to have a good memory in most
Who to count the bruises the next day
Who all, or at least most, of these things together.


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here And my brother is also in pole position at center stage ... who knows him knows that. Mythical Dudi embarked on the second stage 09. Remains tattooed in history. Oooooooh OU OU OH OH OOOH UOOOO UOO Ooohh! What a sight.

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The Human Resources Manager

of how a responsible man,

only of his work,

to find out 'that there is a sudden

people and also discover

that people live and die with

desires,

that are not only those

to grow sales and profits

to your company.

A film on 'utopia,

in contemporary times,

of living with the awareness that people

there, suffering, work, and want to die

not only what you can' buy.

Beautiful photography of the Romanian countryside

of its villages, its people.

Inspired by the eponymous Libro di Abraham Yehoshua editorial in Italy da Einaudi.

World, world, sister world
World, world, sister world to
When you get tired of
When I get tired of you
world, sister world

When you let it dry bread
And World
paharuţul me, sister world

Maybe then I'll fill
Maybe then I'll fill
When I call a board
When I call a board
world, sister world

When I put in the grave or
And 'll never be on earth
world, sister world

so-and C-world-so-fleeting
C and the world, passing
One born, another dies
One is born, another dies
world, sister world

The birth, teased
Al dies, rots
World, World

sister world, world, sister world
mother and father I
not ever get tired
world, sister world

Well, no siblings, no The sisters do not get tired to death

world, sister world.

MONDO, MONDO

World, world, world's brother
World, world, world
brother when you'll be satisfied when you'll be satisfied

World, brother of world

When I have more bread
When I empty the glass
World, brother of world
Perhaps then I shall continue

Maybe then I'll die tired
When
When going to die
World, brother world

When they bury me
And I am no longer on earth
World, brother

What a world is it the world: passes and goes
That is so the world goes and goes
One is born and the other one is born dies
and the other died
World, world

brother Who was born and who dies alone misfortunes

World rots, brother

world World, world, world
I brother of my father and my mother
No, I shall continue never
World, brother

world of your brothers and sisters
I never tire until I die,
World, brother world.

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